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P∆UL WRIGHT
Design-writer
www.out-of-phrase.com
+447525438451
allfingersandthumbs
@gmail.com

RESIDENT AT:
Pixley Printhouse
14 Pixley
Poplar, London
E14 7DF
UK

This is a professional digest of the work I have been pursuing since March 2009 in a design-writing practice called Out-of-phrase. The current set-up for this came into play after I completed an MA in Design Writing Criticism, Dec 2009 from London College of Communication. The discipline straddles three distinct areas ofthe design-writing discipline: writing, design and the critique, and assumes the maxim 'design as author' and critic.

To demonstrate these forms of design-writing I have chosen to categorise them as long-form articles including design criticism; pamphlet editions; and visual skits. So, out-of-phase.com is essentially an extention of the studio language laboratory where I produce the work.

Curators and editors-in-chief publishing the work so far have noted it for demonstraing my 'originality of idea', 'fresh perspective' and 'acid-spirit'. To this end 'up-ending' the readers' expectations of design – how it is and what it can be is the most apt way of thinking about this work. Sometime surprising at first sight and at other times worth spending more time with.

The studio is based at Pixley Printhouse which is a shared and collaborative-workspace project in East London located. It's located on the top floor of the old soap factory. So here's to Burdett Road, both my studio address and inspiration for the Pulp pop ditto in which Jarvis Cocker sings 'I know this place off Burditt Road'. So hop on the number 15 or 115 and I'll meet you down 'Mile End' at the stop where it crosses with 'Burditt Road'.

We can play fine tunes on spotify (advert free), drink a few cups of coffee and from the south side of the roof-terrace peer over to the not so distant view of iconic Canary Wharf. Oh, and you'll leave knowing the benefits of design-writing over straight graphic design and how you might commission it for use in your next art/design/advertising project – oh yes, and humming to the tune of Pulp – oo-oooh... bababa... lalala...

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PASSIONATE
ABOUT TYPOGRAPHY.
IN LOVE WITH
OUR LANGUAGE.

/commission
/contact

Video killed the conversation

This is a series of 8 tracks produced with Errol Brown of MTC Productions in Birmingham UK. See the original video in the audio/ visual section of this site. Or go direct to out-of-phrase's soundcloud:http://soundcloud.com/
out-of-phrase/sets/sonic-footnotes-music-to-read/
Analogue- Digital- Analogue- Digital displacement. I made an interface using simply javascript originated by Adam Priest, a long-time friend (me might mind me saying!) and programmer at dalliance.net See this SMS story played out at http://out-of-phrase.com/smsstory/#
Four images of sweets – the candy given out by companies at trade shows. I simply wanted to understand the design relationship between a sweet and the values of a company. So I went along to an educational trade show BETT and asked. This link shows in more detail the article. Product review: The new lollipop men and women of education technology

The transparent-wrapper lillipop: (1) honest, (2) generous, (3) affordable, (4) highly-functional and (5) once the wrapper’s taken off it’s easy. Do the values matchup? Check here: www.4matrix.org
The hard-boiled, multiple-flavoured wrapped sweet: (1) a solid learning core offer stability, (2) a selection of flavours offers unique experiences (3) a shell tells you what it is (4) mysterious as you might not be expecting what you thought and (5) once you know what to look for you can simply pick and choose. Do the values matchup? Check here: www.sciencelearningcentres.org.uk
Preserved and packaged fruit: (1) preserved, (2) relaxed, (3) a gift, (4) high quality and (5) a bitter start, turning sweet with time. Do the values matchup? Check here: www.iqboard.net
Wrapped creamy fudge: (1) sticky, (2) made in Polish, (3) you can chew it over, (4) sweet and (5) have it your way: you can suck it if you don’t fancy chewing. Do the values matchup? Check here: www.ydp.eu
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A MATICGRAPHICAL TIMELINE THE ARTIFACTS PICTURED ARE PART OF THINGS I HAVE FAILED MISERABLY TO THROW IN THE RUBBISH OVER THE YEARS. I'M NOT SO MUCH OF A HOARDER THESE DAYS. INSTEAD OF COLLECTING SO MUCH I SIMPLY WRTIE ABOUT THEM. I FACT THE WRITING IS NOW PART OF SERIES OF PAMPHLET EDITIONS. THE FIRST IS CALLED 'SEVEN DAYS IN MY DESIGN WORLD'. IT AMOUNTS TO AN A5 DITTO CONTAINING ANNECDOTAL STORIES ABOUT DESIGN INCLUDING: THE STREET, THE PUBLICATION, THE DESIGN STUDIO ETC. THE TEXT IS ILLUSTRATED WITH THE OBJECTS THAT INSPIRED ME. SYNOPSIS: THE ARTIFACTS (DESIGNED OBJECTS) BECAME A SHIELD FOR ME TO TALK ABOUT MYSELF IN A WAY WHICH SHIELDS YOU – THE READER – FROM MY INDULDGENCES. WHAT YOU DO GET TO KNOW ABOUT ME THROUGH IS SOME OF MY MOTIVATIONS IN LIFE AND DESIGN – AND HOW THE TWO ARE NOTEASY FOR ME TO SEPERATE. – LIFE IS DESIGN/DESIGN IS LIFE! – EACH TEXT IS A COMPOSITION OF 500 WORD STORIES, WRITTEN OVER A SPAN OF SEVEN WEEKS. I'D DESCRIBE THE PAMHPLET AS A 'MATIC-GRAPHIC' – A BIT AUTO(MATIC) AND ANOTHER BIT BIO(GRAPHIC). IS AUTOGRAPHIC A WORD? IT IS NOW!! CAN IT DEFINE A LIFESTYLE? I PREYED ON THE DESIGNED OBJECTS YOU SEE BELOW AND USED THEM AS INSPIRATION. WHAT I PRODUCED IS A PAMPHLET OF IDEAS TALKING ABOUT DESIGN. THE OBJECTS ACTED AS CONDUITS AND THEY TOOK THE BURDEN WHILE I JUST WROTE. THESE SEVEN STORIES OFFER YOU A RE-TELLING OF MY FORMATIVE YEARS AS A TEACHER, PRACTICIONER AND STUDENT INTERESTED IN THE GRAPHICAL PART OF THE DESIGN SPECTRUM.IT'S ALSO A WAY FOR ME TO AVOID WRITING ABOUT MYSELF.
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ARTICLES and WRITING

Design criticism texts:

Stimulus Respond magazine Ritual Number Binary Artists' catalogues Elaine Tribley Emily Wymess DesZine thinking collectives COPY/fold Potted Thinking HESA Inprint / Ornamental leftovers No. zine / Binary OWT / sms story

...phrase the fourth peice is something...

Paragraph why not include an extract from another piece which can be considered the precursor to the fourth piece. Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco.

The fourth peice is something with a richer content maybe. Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco. Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco.

TILT HEAD WHILST READING

And what piece would be included here as the fifth? Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco.

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PAMPHLET ED.
 

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SUBMISSIONS BEING
ACCEPTED FOR ISSUE #02:

[READABLE OR NOT!]

_____________________________

To paraphrase Hans Hartung,
He believed that abstract
things can be
read as more "normal"
than figurative things...

FOR ISSUE #02 OF
PHAMPLET EDITIONS please
send submissions
responding to the idea
[READABLE OR NOT!]

All types of written
and visual art forms
are welcomed

LIMITATIONS / PARAMETERS
black & white artwork

Deadline MAY 2012
to out-of-phrase
at: allfingersandthumbs
(at) GMAIL.COM
Send large files
via Dropbox.

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A REMIX FROM MY REFERENCE LIBRARY
→ BROWSE THE SHELVES
sketchpad: experimental work and idle inspiration
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